1. BIBLIOGRAPHY
Zelinsky, Paul O. Rapunzel. New York: Dutton Children's Books,
1997.
ISBN 978-0-525-45607-0
2. PLOT
SUMMARY
Rapunzel begins with a couple who
find that they are expecting a child.
The wife is suddenly overwhelmed by a craving for rapunzel, an herb that
grows in the walled garden of the sorceress next door. To help his wife’s cravings, the husband
steals rapunzel from this garden, only to be caught in the act by the angry
sorceress. In return for sparing his
life she demands that the husband promise her the newborn child, whom she will
name Rapunzel. What follows is the well
known story of a long haired girl kept in a tall tower, and a prince who finds her
and wins her heart.
3. CRITICAL ANALYSIS
Paul Zelinsky retells the story of Rapunzel in a beautifully
illustrated picture book. The detailed pictures that depict the characters and
the background give the feeling of the Renaissance era. The landscapes, the beautiful
tower, the people, and the background marble wall help readers connect to the
Renaissance times. Even though the sorceress in this story is an evil
character, you get the feeling that she is trying to protect Rapunzel from the
outside world. Unbeknownst to the sorceress, Rapunzel meets a prince in the
tower and they get married. The fact
that Rapunzel gets pregnant might raise questions from young children. This might
start a “where do babies come from?” talk.
Though it will be enjoyed by all age groups of readers, this story may
not be appropriate for very young children. This is a well written retelling of
the age old fairy tale of Rapunzel. Like
all fairy tales, this story has a happy ending with Rapunzel going back to the
kingdom with the prince and the twins and living happily ever after.
4. REVIEW EXCERPT(S)
Caldecott Medal – 1998
ALA
Notable Children’s Books – 1998
School Library Journal Best Book – 1997
From School Library Journal: “An elegant and sophisticated retelling that draws on early French and Italian versions of the tale. Masterful oil paintings capture the Renaissance setting and flesh out the tragic figures.”
From School Library Journal: “An elegant and sophisticated retelling that draws on early French and Italian versions of the tale. Masterful oil paintings capture the Renaissance setting and flesh out the tragic figures.”
From Publisher’s Weekly: “A breathtaking interpretation gives the fairy tale new art-historical roots, with illustrations that daringly-and effectively-mimic the masters of Italian Renaissance painting.”
5. CONNECTIONS
Try some read-a-like books such as:
Hansel and Gretel, ISBN: 978-0-525-46152-4
Snow White, ISBN: 978-0-679-82656-9
Talk with
children about fairy tales and which ones they might be familiar with. Talk to them how the stories make them feel
(frightened, happy, sad, angry, etc).
Explain to
children that sometimes fairy tales include a bad character who does mean
things to the other characters in the stories. Have children describe this
character in the tales they are familiar with.

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